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Nov 1997
Waterfront Week
"Artburger: The Curmudgeon Report" by Susan Hamburger.
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Nov 1997
Time Out New York
“Critics Pick / Lots”
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Sep 1997
Village Voice
“Voice Picks / Click and Drag”
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Jul 1996
Village Voice
"Art Choices." Review of Sweat @ Exit Art.
“Curator Papo Colo creates a collaborative changing installation and ongoing performance event inspired by summer heat. It offers the sound of crashing waves and work by 31 artists including John Corbin’s desert island, Lawrence Seward’s Budweiser rescue pack, Lynda Abraham and Kristine Robinson’s lifeguard Vanity chair, and Warren Neidich’s photos of Lauren Szold performing on a beach….”
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Nov 1995
Cover Magazine
"Recoil" by Anthony Crisafulli.
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Oct 1995
New York Press
Art review.
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Jun 1995
The Tampa Tribune
"Despite price, art retains risk in latest shows." Review of Way Cool @ Exit Art.
“…most of (the works) are thoughtful and energetic. Lynda Abraham makes a sculpture that looks like one of the kiddie rides found at state fairs – until you take a second look at it and realize it is a device for torture and humiliation…”
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May 1995
New York Press
"Art Review" by A. Servetar. Review of Way Cool @ Exit Art.
“…On display are over 100 works by younger artists. Among the sparklers: Michael Ashkin’s poetic boys’ art, Laura Sanscone’s perilous and exquisitely precise support pieces, Jean Blackburn’s deconstructed / reconstructed furniture pieces, William Cotton’s paintings, Mike Avran’s paintings, Lynda Abraham’s nifty sadist machines, Bing Hu’s crystal couch and Alberto Ramirez’s Laboratorio du Suenos (which is literally way cool).”
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May 1995
Village Voice
“Never-Never Wasteland” by Elizabeth Hess. Review of Way Cool @ Exit Art.
“…A handful of these artists deserve a kick up the art ladder. Juan Perdiguero’s oversize patchwork paintings of angry animals, made of small squares of paper glued onto canvas, are furious quilts...